Nuisance
1995Laurel Records
The debut that couldn't match the hype. Competent Britpop with one genuinely great single.
The most hyped band of Britpop who never quite delivered — but 'Daydreamer' is still a great single.
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Menswear formed in London in 1994 and were signed to Laurel Records almost immediately, before they had played more than a handful of gigs. The hype was extraordinary — they appeared on the cover of every music magazine, were photographed with celebrities, and were declared the next big thing before anyone had heard a note. It was Britpop excess at its most concentrated.
'Daydreamer' (1995) was a genuinely good single — melodic, energetic, and full of the kind of effortless cool that the band projected in photographs. 'I'll Manage Somehow' and 'Stardust' followed. The debut album 'Nuisance' (1995) was competent but unspectacular — pleasant Britpop that couldn't justify the level of attention it received.
The backlash was swift and brutal. By 1996 Menswear had become a byword for Britpop hype over substance. Their second album was shelved and the band split in 1998. They have since become a useful shorthand for the excesses of the era — unfairly, perhaps, since 'Daydreamer' remains a genuinely enjoyable piece of mid-90s pop.
Thanks to the Boo Radleys, I found the Good Mixer in Camden — and went back many times on my trips to the UK. You never knew who'd be having a pint there. One night it was one of the guys from Menswear, and I got to hang out with him over a beer. I picked up a stack of their singles on those trips too, Daydreamer included. In the UK a CD single was 99p or £1.99 — back home in the States, the same import cost $9.99 to $14.99. I saved a ton.
Laurel Records
The debut that couldn't match the hype. Competent Britpop with one genuinely great single.
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