Any Other City
2001Tugboat Records
Their only album — one of the great lost records of the 2000s. Tompkins's vocals are extraordinary throughout.
Glasgow's most singular post-punk band — Sue Tompkins's extraordinary stream-of-consciousness vocals make Any Other City one of the great lost albums of the 2000s.
Affiliate link — I may earn a small commission at no extra cost to you.
Life Without Buildings formed in Glasgow in 1999, Sue Tompkins, Chris Evans, Will Bradley, and Robert Johnston developing a sound rooted in post-punk and art rock that was immediately distinctive for Tompkins's extraordinary vocals. Her singing was unlike anything else in British music — a stream-of-consciousness flow of words and sounds that was simultaneously abstract and emotionally direct, recalling the best of the post-punk vocal tradition while being entirely her own.
They released one album, 'Any Other City' (2001), on Tugboat Records, before dissolving. The album was immediately acclaimed as a distinctive and important record — melodically rich, rhythmically inventive, and built around Tompkins's extraordinary vocal performances. Songs like 'The Leanover' and 'PS Exclusive' showed a band with genuine melodic gifts and a completely original approach.
Life Without Buildings dissolved in 2002, and Tompkins subsequently pursued a career as a visual artist. 'Any Other City' has grown in reputation over the years and is now widely regarded as one of the great lost albums of the early-2000s British indie scene — a record that rewards repeated listening and whose influence on subsequent post-punk acts has been considerable.
Tugboat Records
Their only album — one of the great lost records of the 2000s. Tompkins's vocals are extraordinary throughout.
Links marked with ★ are affiliate links. If you buy through them we may earn a small commission at no extra cost to you.
The Dispatch
New deep-dives and playlists, straight to your inbox.
Fellow Glasgow acts from the same post-punk and indie scene
Shared the post-punk energy and the distinctive female vocal approach