Everything Everything
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Art Rock / Indie Pop / Electronic

Everything Everything

Manchester's most intellectually restless band — Jonathan Higgs's anxious, brilliant art pop has been one of the most consistently rewarding sounds in British music.

Manchester, EnglandFormed 2007Active

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Biography

Everything Everything

Everything Everything formed in Manchester in 2007, Jonathan Higgs, Jeremy Pritchard, Alex Robertshaw, and Michael Spearman developing a sound that drew on art rock, electronic music, and R&B in ways that felt genuinely new. Higgs's falsetto vocals and densely layered lyrics — anxious, politically engaged, and full of cultural references — were immediately distinctive.

'Man Alive' (2010) was a remarkable debut — complex, restless, and full of ideas. 'Arc' (2013) and 'Get to Heaven' (2015) developed their sound further, with 'Get to Heaven' in particular being a record of considerable emotional and political power. 'A Fever Dream' (2017) was their most critically acclaimed record, shortlisted for the Mercury Prize and widely regarded as their masterpiece.

Everything Everything have continued to release albums of consistent quality, with Higgs's songwriting growing in ambition and emotional range. 'Raw Data Feel' (2022) showed them still pushing their sound in new directions. They are one of the most consistently interesting British bands of their generation — never settling, always developing, always worth paying attention to. ⚠ Flag: post-2022 activity — verify any releases since 'Raw Data Feel'.

Discography

The Albums

Man Alive

2010

Geffen Records

A remarkable debut — complex, restless, and full of ideas. Photoshop Handsome is an early highlight.

Get to Heaven

2015

RCA Records

Their most politically charged record. Distant Past and Distant Past are among their finest songs.

A Fever Dream

2017

RCA Records

Mercury Prize shortlisted — widely regarded as their masterpiece. Can't Do and Desire are highlights.

Raw Data Feel

2022

Infinity Industries

A bold, electronic-leaning record that showed them still pushing their sound in new directions.

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