360°
1993Creation Records
Their debut album — euphoric, bass-heavy, and entirely distinctive. A landmark of mid-90s alternative dance.
Big Dub from London — Dreadzone's euphoric blend of dub, techno, and indie rock made them one of the most distinctive acts of the mid-1990s alternative dance scene.
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Dreadzone formed in London in 1993, Greg Roberts and Tim Bran — both formerly of Big Audio Dynamite — assembling a collective that drew on dub, techno, and indie rock in ways that felt genuinely new. Their sound was euphoric and bass-heavy, built on dub rhythms and electronic textures, with melodic hooks that gave their music a crossover appeal that most dub acts lacked.
'360°' (1993) and 'Second Light' (1995) established them as one of the most exciting acts in the mid-1990s alternative dance scene. 'Little Britain' became their best-known track, a euphoric dub anthem that captured the spirit of the era perfectly. They were a fixture on the festival circuit and earned a devoted following among fans of both electronic music and indie rock.
Dreadzone have continued to record and perform with remarkable consistency, releasing albums through the 2000s and beyond. Their live shows remain genuinely thrilling — bass-heavy, euphoric, and entirely their own. They are one of the more underappreciated acts of the 1990s British alternative scene, and their back catalogue rewards discovery for anyone interested in the intersection of dub and indie music. ⚠ Flag: post-2015 activity — verify most recent release.
Creation Records
Their debut album — euphoric, bass-heavy, and entirely distinctive. A landmark of mid-90s alternative dance.
Creation Records
Their finest record. Little Britain and Captain Dread are among the highlights of 1990s dub-electronic music.
Creation Records
A more experimental follow-up that pushed their sound in new directions.
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Shared the dub-influenced electronic sound and euphoric festival energy
Fellow mid-90s British acts who blended dub with global influences